![]() He talks with both humans and animals, and he has an effect on his world through his interactions. "We had to use techniques to bring his photo-realism to a level where the audience completely accepted him and wasn't distracted by the notion that he was created through visual effects. "Stuart needed to be totally believable, in terms of both his look and performance," says Chen. This was no easy task, even for this talented group of effects specialists. Under the direction of Minkoff, Academy Award - winning senior visual effects supervisor John Dykstra, animation supervisor Henry Anderson and visual effects supervisor Jerome Chen strove toward the goal of creating a living, breathing, three-dimensional character that exists in our world. Bringing the character of Stuart Little to life on the big screen involved several stages of sophisticated, painstakingly detailed technical labor from the Imageworks team of artists. The challenge, however, was to use this futuristic digital wizardry to capture the spirit of a classic character that E.B. What we did with STUART LITTLE wouldn't have been possible five years ago." "So we had to come up with a way to use technology to tell the story. "We couldn't find a trained mouse that could wear clothes, walk on two feet and deliver lines," jokes executive producer Jason Clark. STUART LITTLE represents a huge stride forward in the field of digital character creation. White was too smart to write a story just for children. ![]() He said it was one of the few dreams that he was ever able to use for a story. He fell asleep, and when he woke up he had a mouse rattling around in his head. White was in a sleeper car, and he was on his way back to Manhattan. "Stuart actually was born on a train ride," explains Wick. White, Stuart's creator, who wrote the original book with this multigenerational appeal. Watching the heroics of someone three inches tall can be very inspiring." Despite an obvious appeal to the younger set, STUART LITTLE manages to strike a balance between children's fantasy and an adult sensibility.įilmmakers drew inspiration from E.B. As a child, you're always looking at the world at knee-level, and it seems scary and overwhelming. Wick observes, "Every child feels like a different species than his parents. He recognizes that he looks different than other people, but that's not important," comments director Rob Minkoff. "Stuart is a guy who doesn't look at the world from a mouse's perspective. These obstacles might present a problem for a typical mouse. Their hearts tell them that Stuart is a perfect fit for the Little family, even though no reasonable person could possibly agree."Īs his adventures unfold, however, Stuart is faced with challenges and choices that could risk his truly deserved happiness. They see another living creature who is smart, kind and very alone. Producer Douglas Wick explains the family's unusual choice: "The Littles don't really see a mouse when they look at Stuart. Keeper at the orphanage to "adopt within their own species," the Littles beam with the pride of new parents. Little bring home a surprising addition to the Little family. In a cozy brownstone nestled among the gray monoliths along the section of Fifth Avenue that borders New York City's Central Park, Mr. Also starring are Julia Sweeney, Dabney Coleman, Estelle Getty and Allyce Beasley. Stout, Chazz Palminteri as the voice of Smokey, Steve Zahn as the voice of Monty, and David Alan Grier as the voice of Red. STUART LITTLE also features Jennifer Tilly as the voice of Mrs. ![]() The effects team includes Academy Award®-winning senior visual effects supervisor John Dykstra, animation supervisor Henry Anderson and visual effects supervisor Jerome Chen. ![]() Rounding out this talented group of filmmakers are director of photography Guillermo Navarro, production designer Bill Brzeski, editor Tom Finan and costume designer Joseph Porro. Night Shyamalan (writer and director of The Sixth Sense) and Greg Brooker. The Columbia Pictures presentation STUART LITTLE is executive produced by Jason Clark, with Jeff Franklin and Steve Waterman also serving as executive producers under a Franklin/Waterman Production. The creation of the film's title character and some of his friends and adversaries represents one of the most ambitious ventures to date into photo-real, performance-based digital character creation. It combines live action with groundbreaking visual effects by the artists and innovators at Sony Pictures Imageworks, who have taken digital character creation to a bold new level with the birth of Stuart. STUART LITTLE is a film from producer Douglas Wick's Red Wagon Productions. ![]()
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